Mar 242013
 

SAPPHIRE Technology, the leading manufacturer and global supplier of graphics solutions based on AMD technology, has just announced an exciting new graphics accelerator compatible with the Apple Mac Pro series of desktop computers.

Exclusive to SAPPHIRE, the HD 7950 Mac Edition is based on AMD’s latest Graphics Core Next (GCN) architecture. This highly acclaimed architecture delivers a significant graphics performance boost for Mac Pro users in a wide range of applications including gaming, audio or video editing and content creation. For example, gaming frame rates are increased by over 200%, general benchmark performance increased by around 30% and graphics intensive benchmarks increased by as much as 300% compared with the NV 8800GT commonly used in these machines (SAPPHIRE internal data).

Sapphire radeon 7950 mac

The SAPPHIRE HD 7950 Mac Edition is equipped with 3GB of the latest GDDR5 memory, and its Dual Asynchronous Compute Engines (ACE) deliver up to 2.87 TFLOPS Single Precision compute power. It provides hardware support for Open GL 4.2 and Open CL 1.2 as well as AMD HD3D technology and APP acceleration.

AMD’s GCN architecture supports a number of advanced post-processing and scaling operations. These include de-blocking, de-noising, automatic de-interlacing, Mosquito noise reduction and edge enhancement as well as advanced image quality enhancement technology, such as adaptive anti-aliasing and 16x angle independent anisotropic texture filtering. The SAPPHIRE HD 7950 Mac Edition features AMD PowerPlay technology which provides automatic power management during operation and ensures low power consumption under idle conditions.

Flexible display support

Cutting-edge integrated display support includes two mini DisplayPort outputs with a maximum resolution of 3840 x 2160 per display under MacOS X. The card also features a 3GHz HDMI 1.4a port. This output also supports a maximum resolution of 3840 x 2160.

Finally, there is a Dual-link DVI port with HDCP, which supports a maximum resolution of 2560 x 1600. As this is a DVI-I port it can also be used with the older style VGA monitors, with adapter supplied. The card supports two display outputs to be used at the same time, allowing dual monitor configurations to be used for increased productivity.

The SAPPHIRE HD 7950 Mac Edition is compatible with Apple Mac Pro models from 2010 and later with an available PCI-Express x16 slot. Two six-pin power cables required are supplied with the card. A driver disk is provided which enables the card to be used with Mac OS X 10.7.5 (Lion), 10.8.2 (Mountain Lion) or later.

The SAPPHIRE HD 7950 Mac Edition can also be used in the latest PC architectures. It has Dual Firmware support via a simple Firmware (Dual BIOS) switch. In one position the Sapphire HD 7950 MAC Edition supports Mac OS X/Windows under non-UEFI compliant mode and in the other it supports Windows with UEFI hybrid firmware enabled. A Windows driver disk is also included.

Dualfirmwareswitch

Under Windows, additional features are supported, including hardware acceleration of video decoding, HDMI audio pass through and additional display resolutions.

For further details please visit www.sapphiretech.com

All trademarks acknowledged.

Mar 052013
 

Copenhagen, March 4, 2013 — Phase One, the world’s leader in open-platform, medium format camera systems and solutions, today announced the Phase One IQ2 series: three new full-frame 645 format digital camera backs with high-speed wireless connectivity and 13 f-stops of dynamic range, plus new options to meet specific photographic goals. Building on the IQ digital back platform, the first choice of many of the world’s leading photographers, the technical advances in the Phase One IQ280, IQ260 and IQ260 Achromatic go beyond delivering ultra-high megapixel resolution to introduce greater mobility and workflow flexibility for professional photographers.

IQ280 IQ260 IQ260ac

Continue reading »

Nov 072012
 

Ronkonkoma, NY, November 7, 2012 – Sigma Corporation of America, a leading researcher, developer, manufacturer and service provider of some of the world’s most impressive lines of lensescameras and flashes, is pleased to announce that the first lens of its new Global Vision lineup, the 35mm F1.4 DG HSM, is now available for the street price of $899.

A 35 14 large01

The 35mm F1.4 DG HSM, is designed for photographers who want to achieve creative, dramatic effects in their photographs. As the first lens released under Sigma’s new Art line, it will feature a new matte finish and overall new design concept, which includes a clearly defined category label on every new lens. This 35mm wide-angle lens with a maximum aperture of 1.4 ensures outstanding performance in low light, and a stunning bokeh background effect to emphasize the subject. “We’re thrilled to break into this category of lenses with a product from our new Global Vision,” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “We’re confident that our A1 quality control system, coupled with the industry’s first USB dock, will differentiate our lens in the category. Since it’s so versatile – ideal for scenes including landscapes, portraits, close-ups and studio photography – we think that it will be a hit.” Other features of the new 35mm F1.4 DG HSM include:

  • One “F” Low Dispersion (FLD) glass lens and four Special Low Dispersion (SLD) glass lenses to ensure exceptional correction of lateral and axial chromatic aberration, the latter of which cannot be corrected in post production
  • A floating inner focus system to provide extremely high optical performance for close-up photos
  • Super Multi-Layer Coating to reduce flare and ghosting and provide sharp and high contrast images even in backlit conditions
  • A HSM (Hyper Sonic Motor) that ensures high speed, accurate and quiet AF
  • Rubber incorporated into the attachment part of the lens hood, and an improved redesign of the lens cap and AF / MF changeover switch have been improved
  • Thermally Stable Composite (TSC), which has high affinity to metal parts, that are housed internally, increases overall functionality, lifespan, and quality of the lens
  • rounded 9 blade diaphragm creates an attractive blur to the out-of-focus areas of the image
  • A newly developed USB dock, which will be sold separately and exclusively for new product lines, can be paired with new Sigma Optimization Pro software to update the lens firmware and adjust parameters, such as micro focus adjustment

All of Sigma’s manufacturing – right down to molds and parts – is carried out under an integrated production system, based entirely in Japan. Sigma is now one of the very few manufacturers whose products are solely made in Japan. Every 35mm F1.4 DG HSM will be checked using Sigma’s own MTF measuring system, “A1,” as will all new lenses under the Global vision categories. This system uses 46-megapixel Foveon direct image sensors to pick up previously undetectable high-frequency details for quality control inspections.

The Sigma 35mm F1.4 DG HSM will be available in Sigma, Sony (D), Nikon (D), Pentax and Canon mounts.

To learn more about Sigma’s Global Vision, visit http://www.sigma-global.com. For information about Sigma Corporation of America, visit www.sigmaphoto.com. For more information about Sigma’s lenses, visithttp://www.sigmaphoto.com/shop/lenses.

About Sigma Corporation

For more than 50 years, Sigma Corporation’s expertise and innovation has driven the company’s core philosophy of “knowledge, plus experience, plus imagination,” with an emphasis on producing high-quality, high-performance photographic technology. This family-owned organization is the largest, independent SLR lens manufacturer in the world, producing more than 50 lenses that are compatible with most manufacturers, including Sigma, Canon, Sony, Nikon, Olympus, Pentax and Panasonic. Sigma Corporation also produces digital SLR cameras and high-definition digital compact cameras. The company is headquartered in Japan, with offices strategically located throughout Europe, Asia and North America. For information, please visit www.sigmaphoto.com.

Oct 272012
 

PhotoPlus finished up today with me wandering around seeing if I missed anything while scurrying from interview to interview the previous two days. There were a couple things that I did manage to notice.

Storage Vendors
In previous Expos the only storage vendors to show up were Drobo and LaCie (who were there) but at this show storage companies Synology and QNAP were there showing their network attached wares along with direct attached storage (DAS) vendor CruDataPort. 
The Synology unit pictured above has dual Gigabit ethernet ports and can handle up to eight SATA drives in a classic RAID configuration or Synology’s Hybrid RAID (similar to Drobo). The system is designed for business class use so it has a ton of features that pro photographers can really use. Multi-unit backup, offsite backups, cloud backups and Dropbox like services are just some of the features offered. 
QNAP, like Synology, makes business-class NAS devices with a ton of features useful for pro photographers. These are networked attached devices and the eSATA and USB ports on the back are for attaching external single drives or for daisy-chaining units together.
CruDataPort makes some of the studiest data enclosures on the planet. This is military-grade stuff. I had reviewed one of the products a few years ago. This particular model supports RAID right in tthe device itself. No special card needed. Just jack it into the USB 3.0 or eSATA ports. For the record, I forgot to photograph the new model of the above pictured unit which has eSATA and USB 3.0 ports.
Carl Zeiss

Carl Zeiss had their new X-mount and E-mount prototypes on display on their intended camera bodies. These lenses are autofocus and on the X-mount lens there is an aperture ring. I, for one, cannot wait  for these lenses to arrive in May.
Schneider-Kreuznach

The iPro System is a lens system for the iPhone 4/4S. It is a case and lens combination that adds a super-wide and telephoto adapter to the iPhone 4/4S. There is an optional fisheye lens as well. A new case is being designed for the iPhone 5.
The item on the bottom is a polarizing filter for the iPhone (all models). A small metal ring is attached to the body of the iPhone with adhesive tape and the lens is attached via magnets. This will also take care of any flaring that has been reported on the iPhone 5.
Cambo

Digital Transitions had several high-end medium format digital systems on display. Pictured above is the new Cambo WRC-400 compact technical camera. This is my dream camera. Never going to happen to me unless a miracle occurs to the tune of $20,000.00 (including the IQ140 digital back).
Lensbaby

Creative lensmaker Lensbaby was there with new Composer Pro body, Sweet 35 and Edge 80 optics. The Sweet 35 and Edge 80 differ from their other optics as the actually have internal apertures instead of the washer system used by the rest of their line. Alpha mounts are now available so that means that Sony users can feel the Lensbaby love as well. I will posting a review of the Sweet 35 and Edge 80 on the A99 in the near future as well.
That wraps up the show reports. Please visit this site for updated reviews and information. If you enjoyed reading these reports or have any questions, please feel free to leave a comment and don’t forget to share this with your friends.
Thank you and take care.
Oct 182012
 


Today, after months of work, Sony released updated firmware for the following cameras:

  • NEX-7
  • SLT-A77V
  • SLT-A65V
  • SLT-A57
  • SLT-A37

Lenses were also updated to take advantage of the Hybrid AF system on the NEX-5r/NEX-6

E-mount lens firmware v.2, for use with Hybrid AF E-mount on the αNEX-5R/αNEX-6. This specifically applies to the 18-55mm f/3.5-5.6 Standard Zoom Lens ( SEL1855), the 55-210mm f/4.5-6.3 Telephoto Lens (SEL55210), the 18-200mm f/3.5-6.3 Telephoto Lens (SEL18200) and the 24mm f/1.8 Wide-Angle Prime Lens (SEL24F18Z) to enable Hybrid AF function with NEX-5R and NEX-6. It’s important to note that our E-mount lens firmware v2 is for the lens not the camera so it can be performed only with these lenses attached to Hybrid AF capable cameras (αNEX-5R/αNEX-6). Since these lenses were designed before the introduction of Hybrid AF, their firmware needed to be updated for Hybrid AF to function.

Here are links to all of the firmware updates:

NEX-7 Firmware v1.01

Windows OS  Download 

Mac OS  Download

 

SLT-a77V Firmware v1.06

Windows OS Download

Mac OS Download

 

SLT-a65V Firmware v1.06

Windows OS Download

Mac OS Download

 

ST-a57 Firmware v1.03

Windows OS Download

Mac OS Download

 

SLT-a37 Firmware v1.03

Windows OS Download

Mac OS Download

 

NEX-5R/NEX-6 (lens firmware for SEL24F18Z)

Windows OS Download

Mac OS Download

 

NEX-5R/NEX-6 (lens firmware for SEL1855)

Windows OS Download

Mac OS Download

 

NEX-5R/NEX-6 (lens firmware for SEL18200)

Windows OS Download

Mac OS Download

 

NEX-5R/NEX-6 (lens firmware for SEL55210)

Windows OS Download

Mac OS Download

Sep 192012
 

At Photokina Day 2, medium format camera maker Hasselblad and Sony announced the joint development of the Hasselblad Lunar. I say “joint development” because, quite probably, many were smoked to dream up this idea.
wpid-Lunar-Wooden-Grip-Lens-Hood-White-2012-09-19-00-01.jpg
What Hasselblad and Sony have done is take the innards of a NEX-7, replace the sensor with something slightly newer, wrap the whole thing in an ergonomic orgy of design and mismatched luxury materials, slapped the H Logo on it and charge 5 times as much. At least when Leica rebadges a Panasonic, they load up their own image conversion algorithms and provide lens designs.

Now, to be completely honest, I have never seen one personally and therefore have not held it in my hands. Who knows, the ergonomics may be so awesome that I would be willing to overlook its appearance. Except that the NEX-7 was never a heavy camera to lug around. Sure, my hands were too big for it and I might find a better fit with the Lunar, but if I am going to lay down the amount of money they are asking for this camera (€5,000), I am willing to spend a little more and get the new Leica M.

wpid-MR70-180handgripEVF_front-2012-09-19-00-01.jpg

Sep 112012
 

Hasselblad’s ‘next generation’ H System camera will be showcased at the Hasselblad press conference at photokina, Cologne, Germany (Tuesday Sep 18: 2pm-3pm). The H5D features a modernized design and a complete new electronic engine to pave the way for ultimate quality imaging, for print ready JPEG files, and for a smooth and intuitive user interface. The camera is billed by the Sweden-based company as ‘the latest step in the evolution of the best high-end camera system in the world’.

H5D-60 Right Continue reading »

Sep 062012
 

Fujifilm today announced the latest member of it’s groundbreaking X-Series cameras, the X-E1. Billed as a compact travel camera, the X-E1 is targeted at the discerning photographer who wants to travel light but not skimp on quality. Packing the X-Pro1′s Trans-CMOS sensor, the X-E1 eschews its older sibling’s Hybrid Viewfinder in favor of an electronic viewfinder that packs a whopping 2.3 megapixels in the display.

With its retro rangefinder looks (the X-E1 is not a rangefinder camera. Guardians of the League of Rangefinder Snobbery please do not attack me), enhanced AF performance, lack of an AA filter and other sundry bits, the Fuji X-E1 stands ready to go head-to-head with the Olympus OM-D E-M5 (my current walkabout camera) and the upcoming Sony NEX-6 and current NEX-7.

Here is the full press release.

Valhalla, N.Y., September 6, 2012 – FUJIFILM North America Corporation is proud to introduce its second compact system camera of this year – the FUJIFILM X-E1 – a premium interchangeable lens camera system that truly exemplifies the high quality and extraordinary image resolution that the X-Series is known for among professional photographers.

The FUJIFILM X-E1 follows in the tradition of the award-winning FUJIFILM X-Pro1 and utilizes the same proprietary 16.3 Megapixel APS-C X-Trans CMOS sensorTM and the same X-Mount for use with FUJINON XF lenses, all in a body that is 30% smaller than the FUJIFILM X-Pro1.

With its compact, travel-friendly size, the X-E1 promises to be an exciting addition to the FUJIFILM X-Series. It will be available in two classic designs: a two-tone black and silver, and a solid black. Both versions of the X-E1 will also ship as kits with the XF18mm-55mm (27-84mm) F2.8-4 lens in November 2012.

X E1 Silver  Black

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Aug 292012
 

Sony today announced the NEX-5R digital camera at IFA in Berlin. The latest member of the NEX family retains the 1.5x crop of its predecessors but adds phase detection cells to the main sensor, built-in WiFi, and downloadable camera apps to extend the functionality of the camera even after purchase.

NEX 5R wSEL18200LE black copy
The NEX-5R brings Sony one step closer to perfecting the mirror less camera as I had previously predicted. By incorporating phase-detection cells into the main sensor, Sony as begun to overcome one of the shortcomings of mirror less cameras – less than stellar AF performance. I say “begun to overcome” because the “Hybrid AF” system of the NEX-5R only works with four Sony lenses. According to Sony, firmware updates for other lenses will allow Hybrid AF to function with then as well. I have no idea if that applies to third party AF lenses.
 
Here is the full press release:

Continue reading »

Aug 272012
 

Adobe has posted the release candidates for Adobe Photoshop Lightroom 4.2 and Adobe Camera Raw 7.2. Release Candidates are not yet final products that have been thoroughly tested. This version of Lightroom addresses several bug fixes and adds support for the following cameras:

  • Canon EOS 650D / Rebel T4i
  • Canon EOS M
  • Fuji FinePix F800EXR
  • Leaf Credo 40
  • Leaf Credo 60
  • Nikon 1 J2
  • Panasonic DMC-FZ200
  • Panasonic DMC-G5
  • Panasonic DMC-LX7
  • Pentax K-30
  • Sony DSC-RX100

You can download the release candidates from here:

Lightroom 4.2

Camera Raw 7.2

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